1 00:00:00,000 --> 00:00:00,090 2 00:00:00,090 --> 00:00:02,090 RICKY CAMILLERI: Did you think of yourself as a funny person 3 00:00:02,090 --> 00:00:03,490 prior to taking improv? 4 00:00:03,490 --> 00:00:06,570 Or did you discover that you had the ability to make people 5 00:00:06,570 --> 00:00:10,540 laugh when you were doing that? 6 00:00:10,540 --> 00:00:13,260 SUZY NAKAMURA: I know I have the ability to make people laugh. 7 00:00:13,260 --> 00:00:15,850 I don't think I'm funny, if that makes-- 8 00:00:15,850 --> 00:00:16,650 if that makes sense. 9 00:00:16,650 --> 00:00:19,350 I don't consider myself funny. 10 00:00:19,350 --> 00:00:20,370 I don't know. 11 00:00:20,370 --> 00:00:23,740 It's a coping mechanism, to be completely honest. 12 00:00:23,740 --> 00:00:24,540 [LAUGHS] 13 00:00:24,540 --> 00:00:25,620 RICKY CAMILLERI: To not consider yourself funny? 14 00:00:25,620 --> 00:00:26,753 SUZY NAKAMURA: No, it's a coping-- 15 00:00:26,753 --> 00:00:28,780 comedy is a coping mechanism. 16 00:00:28,780 --> 00:00:30,990 And I think a lot a lot of people would say that, right? 17 00:00:30,990 --> 00:00:34,740 And acting in general, I think, most actors are very shy, 18 00:00:34,740 --> 00:00:37,560 or they're, you know, reserved. 19 00:00:37,560 --> 00:00:40,050 But when you tell them to be someone else, 20 00:00:40,050 --> 00:00:44,360 then they can open up and be a different person. 21 00:00:44,360 --> 00:00:46,493 And that's not rare, is it? 22 00:00:46,493 --> 00:00:47,960 RICKY CAMILLERI: No, that's not rare at all. 23 00:00:47,960 --> 00:00:50,060 I just think Second City is a fairly 24 00:00:50,060 --> 00:00:51,350 difficult thing to get into. 25 00:00:51,350 --> 00:00:54,050 It is, in many ways-- 26 00:00:54,050 --> 00:00:56,150 some of the best have come out of there. 27 00:00:56,150 --> 00:00:59,690 And I think you have to be pretty funny. 28 00:00:59,690 --> 00:01:01,980 I mean, you're not just performing when you're there. 29 00:01:01,980 --> 00:01:03,320 You're writing, as well, aren't you? 30 00:01:03,320 --> 00:01:05,000 SUZY NAKAMURA: Yeah, well, you're improvising 31 00:01:05,000 --> 00:01:06,155 and you're writing through improv. 32 00:01:06,155 --> 00:01:08,780 33 00:01:08,780 --> 00:01:11,750 Yeah, but I also think comedy is-- 34 00:01:11,750 --> 00:01:13,910 you get a laugh when you tell the truth, 35 00:01:13,910 --> 00:01:18,680 or someone recognizes something, or thinks 36 00:01:18,680 --> 00:01:19,970 you're someone they know. 37 00:01:19,970 --> 00:01:22,850 It's that recognition laugh or that universal laugh. 38 00:01:22,850 --> 00:01:27,830 So I think the more honest you are, 39 00:01:27,830 --> 00:01:30,770 then that's when you're going to get the really good laughs. 40 00:01:30,770 --> 00:01:34,120 [MUSIC PLAYING] 41 00:01:34,120 --> 00:01:38,000