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RICKY CAMILLERI: And to have
to grapple with the idea

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that while you're searching for
your missing child, the news--

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the police are not just telling
you that you don't matter,

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but they're telling you that
they're not an innocent--

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MIRIAM SHOR: Oh no,
they're complicit.

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RICKY CAMILLERI: --and
you're not an innocent.

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So therefore--
MIRIAM SHOR: Yeah.

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RICKY CAMILLERI: --as much as a
person would fight against that

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and be like, that's not
true, that seeps in,

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and that then in turn creates
a tragic amount, I think,

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of probably self-doubt
and [? consciousness. ?]

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MIRIAM SHOR: Well, look,
no parent is perfect.

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RICKY CAMILLERI: Of course.

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MIRIAM SHOR: All
parents have to make

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choices that are difficult, and
these women were no exception.

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They made some very
difficult choices.

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They had difficulties in their
lives that were, you know,

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to some might even
seem insurmountable,

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and yet they had to.

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They had-- their lives
just had to continue.

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They had to go on.

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And the guilt that comes
along with the choices

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that you make as a
parent, as a mother,

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is ever present even if
you are the perfect mother.

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So, you know, that line where
she says, "I'm her mother.

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It's all on me," means
I put it all on me.

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You put it all on me.

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Everybody puts it all on
me, and I can't escape that.

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So she's-- you know, Mari
Gilbert and the character I

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play, Lorraine, and all of the
women involved in this have

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to grapple with,
sure, their own senses

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of guilt and how
could I not have

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protected this person I love?

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But when you go to the
authorities whose job is

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supposedly to
protect and to serve

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and they shake
off any obligation

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and treat you like
you're less than a human,

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that's when you
start to feel enraged

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when you read about
it, which was how

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I felt when I read the script.

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And that's when someone
like Mari Gilbert

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and like all these women who
bonded together and refused

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to be silenced--

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you know, they really
showed that you can

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be heard if you just persist.

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And I'm glad I had
some small part in sort

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of bringing that to light.

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[MUSIC PLAYING]

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